| HIRSCH PERLMAN | |
| Lives and works in Los Angeles | |
| Education: 1982 B.A. Yale University | |
| SOLO EXHIBITIONS | |
| 2002 | Donald Young Gallery, Chicago, Illinois |
| 2001 | Blum & Poe, Santa Monica, California |
| 1997 | Monika Sprüth Galerie, Köln, Germany |
| 1996 | Projects 54, The Museum of Modern Art, New York, New York |
| 1995 | Kunstraum, Vienna, Austria |
| Galerie Claire Burrus, Paris, France | |
| 1994 | Monika Sprüth Galerie, Köln, Germany |
| Donald Young Gallery, Seattle, Washington | |
| 1993 | Galerie Claire Burrus, Paris, France |
| 1992 | Feature, New York, New York |
| 1991 | Monika Sprüth Galerie, Köln, Germany |
| Interim Art, London, England | |
| Galerie Claire Burrus, Paris, France | |
| 1990 | Donald Young Gallery, Chicago, Illinois |
| Feature, New York, New York | |
| Galerie Hufkens, Brussels, Belgium | |
| Halle Sud, Geneva, Switzerland | |
| Shedhalle, Zurich, Switzerland,(catalogue) | |
| 1989 | Feature, New York, New York |
| 1988 | The Renaissance Society, Chicago, Illinois, (catalogue) |
| Cable, New York, New York | |
| Galerie Claire Burrus, Paris, France | |
| Hufkens/Noirhomme, Brussels, Belgium | |
| 1987 | Cable, New York, New York |
| Feature, Chicago, Illinois | |
| SELECTED GROUP EXHIBITIONS | |
| 2003 | Outlook: International Art Exhibition Athens 2003, Athens, Greece |
| 100 Artists See God, traveling, curated by John Baldessari and Meg Cranston | |
| Incommunicado, organized by the Hayward Gallery, London, England; travels to Sainsbury Centre for Visual Arts, Norwich, England; City Art Centre, Edinburgh, Scotland | |
| Lautloss Irren (Ways of worldmaking), too. Curated by Harm Lux, Postbahnhof am Ostbahnhof, Podewil Kulturzentrum, Berlin, Germany | |
| Premiere, A Gavlak Projects Production, New York, New York | |
| Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York, New York | |
| Zones, Art Gallery of Hamilton, Ontario, Canada | |
| 2002 | Whitney Biennial, Whitney Museum of American Art, New York, New York |
| Sudden Glory: Slapstick in Contemporary Art, CCAC, San Francisco, California, curated by Ralph Rugoff | |
| Extreme Existence, Pratt Manhattan Gallery, New York, New York | |
| L.A. on my Mind, Museum of Contemporary Art, Los Angeles, California | |
| 2001 | No Harm in Looking, Museum of Contemporary Art, Chicago, Illinois |
| (Tele)visions, Kunsthalle, Vienna, Switzerland | |
| 2000 | Sprache Identitat Europa, Stadtforum, Munich |
| 1999 | Talk Show, Von der Heydt-Museum, Wuppertal, Haus der Kunst, Munich(catalogue) |
| Hello Mr. Soul, Gallery 400, University of Illinois at Circle, Chicago Illinois | |
| 1997 | Next, Blum & Poe, Santa Monica, California |
| Heaven, P.S.1, Long Island City, New York, curated by Joshua Decter | |
| Fake Ecstasy With Me, Museum of Contemporary Art, Chicago, Illinois | |
| 1996 | a/drift: scenes from the penetrable culture, The Center for Curatorial Studies, Bard College, curated by Joshua Decter, (catalogue) |
| Friedrich Petzel Gallery, New York, New York | |
| Art in Chicago 1945-1995, Museum of Contemporary Art, Chicago, Illinois (catalogue) | |
| 1995 | The End of the Avant-Garde--Art as a Service, Kunsthalle der Hypo-Kulturstiftung, Münich, Germany |
| Passions Privées, ARC, Paris, France | |
| Strung into the Apollonian Dream... An exhibition of a private collection, Feature, New York, New York | |
| 1994 | Temporary Translation(s), Deichtorhallen, Hamburg, Germany |
| Notational Photography, Metro Pictures and Petzel Borgmann Gallery, New York, New York | |
| When Attitudes Become Form: Selections From a Contemporary New Jersey Collection, Montclair Museum, New Jersey | |
| Radical Scavenger(s):the Conceptual Vernacular in American Art, The Museum of Contemporary Art, Chicago, Illinois (catalogue) | |
| After and Before, The Renaissance Society, Chicago, Illinois | |
| Donald Young Gallery, Seattle, Washington | |
| 1993 | The Language of Art, Kunsthalle Vienna, Vienna, Austria, (catalogue) |
| Backstage, Kunstverein in Hamburg, Hamburg, Germany, Kunstmuseum, Luzern, Switzerland, (catalogue) | |
| Kontext Kunst, Graz Kunstlerhaus and Neue Galerie am Landasmuseum Joanneum, Graz, Austria, curator: Peter Weibel, (catalogue) | |
| Galleria Massimo de Carlo, Milan, Italy | |
| Aperto, Venice Biennale, Venice, Italy, (catalogue) | |
| De la main a la tete, l'objet théorique, Domaine de Kerguehennec, Lominé, France, curator: Denys Zacharopoulos | |
| Rules of Perception, GLOBE, Copenhagen, Denmark | |
| 1992 | Génériques le visuel & l'écrit, Hotel des arts, Paris, France |
| Dirty Data, Ludwig Forum, Aachen, Germany, (catalogue) | |
| Lying on top of a building the clouds seemed no nearer than when I was lying on the street, Monika Sprüth Galerie, Köln, Germany | |
| Molteplici Culture, Convento di S. Egidio, Rome, Italy | |
| Exhibit A, Serpentine Gallery, London, England, curator: Henry Bond, (catalogue) | |
| The Last Days, Salas del Arenal, Seville, Spain, curator: Jose Luis Brea,(calaogue) | |
| Donald Young Gallery, Seattle, Washington | |
| Galerie Claire Burrus, Paris, France | |
| Le Case d'Arte, Milan, Italy | |
| 1991 | Wealth of Nations, Centre for Contemporary Art, Ujazdowski castle, Warsaw, Poland, curator: Cornelia Lauf, (catalogue) |
| A Dialogue About Recent American and European Photography, MOCA, Los Angeles (catalogue) | |
| Richard Kuhlenschmidt Gallery, Santa Monica, California | |
| Monika Sprüth Galerie, Köln, Germany | |
| Video Library, Andrea Rosen Gallery, New York, New York | |
| 1990 | Word as Image: American Art 1960-1990, Milwaukee Art Museum, Milwaukee, Wisconsin (catalogue) |
| The Köln Show, Monika Sprüth Galerie, Köln, Germany, (catalogue) | |
| The Photography of Invention: American Pictures of the 80's, The National Museum of American Art, Washington, D.C. The Museum of Contemporary Art, Chicago, Illinois, Walker Arts Center, Minneapolis, Minnesota, curator: Joshua Smith (catalogue) | |
| Play of the Unsayable; Wittgenstein and the Art of the 20th Century, Wiener Secession, Vienna Austria, Palais de Beaux Arts, Brussels, Belgium, curator: Joseph Kosuth, (catalogue) | |
| Perspectives on Place; Attitudes Toward the Built Environment, University Art Gallery, San Diego State University, San Diego, California | |
| 1989 | 1989 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) |
| une autre affaire, le consortium (Maison Fyot), Dijon, France, organized by Eric Colliard, Xavier Douroux, Franck Gautherot, Robert Nickas, Catherine Queloz | |
| Cinderella Rockefeller, Feature, New York, New York | |
| Galerie Claire Burrus, Paris France | |
| Mediated Knot, Robbin Lockett Gallery, Chicago, Illinois., curator; Gaylen Gerber | |
| Retro Future, Richard/Bennett Gallery, Los Angeles, California | |
| Functionnonfunction, Rezac Gallery, Chicago, Illinois | |
| Dorothy, Center for Contemporary Art, Chicago, Illinois, curator: Hudson | |
| 1988 | The Goldstrom Family Collection: Contemporary Icons and Explorations, Davenport Museum of Art, Davenport, Iowa (travelling) |
| Wolff Gallery, New York, NY | |
| Near Miss, Feature, Chicago, Illinois | |
| Information as Ornament, Feature and Rezac Gallery, Chicago, Illinois | |
| 1987 | The Hallucination of Truth, P.S. 1, Long Island City, New York, curators; Paul Laster and Rene Riccardo |
| Photo Mannerisms, Lawrence Oliver Gallery, Philadelphia, Pennsylvania, curator: Klaus Ottman | |
| The Non-Spiritual in Art-Abstract Painting 1985-????, Chicago Illinois, curator: Hudson, (catalogue) | |
| Anxious Objects, University of Illinois Gallery, Normal, Illinois | |
| Nature, Feature, Chicago, Illinois | |
| Beyond the Image, First Street Forum, St. Louis, Missouri, curator: James Schmidt | |
| Mitchell Kane/Hirsch Perlman, Collaborative Work, Bates Gallery, Chicago, Illinois | |
| July, Wolff Gallery, New York, New York | |
| Knew, Feature, Chicago, Illinois | |
| Staging Recollection, MoMing Art Gallery, Chicago, Illinois | |
| Signs of Intelligent Life, Greathouse, New York, New York | |
| Wolff Gallery, New York, New York | |
| New Photography, Feature, Chicago, Illinois | |
| 1986 | Dull Edge, Randolph Street Gallery, Chicago, Illinois (catalogue) |
| Hirsch Perlman, Charles Ray, Feature, Chicago, Illinois | |
| Promises, Promises, Feature, Chicago, Illinois | |
| 1985 | Outdoor Installations, Randolph Street Gallery, Chicago, Illinois |
| Please contact the gallery for further information | |
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